KPOP Demon Hunters: Masking, People-Pleasing, and Internalized Shame
Image attribution source: https://news.uchicago.edu/story/souls-fandom-and-kpop-demon-hunters
The three main characters in KPOP Demon Hunters resonate with so many people because they mirror the real life experience of internalized shame and wanting to be accepted for who you really are. They further speak to neurodivergent struggles of masking and people-pleasing.
Zoey masks primarily through people-pleasing and a sense of wanting to fit in after spending a childhood of trying to play both sides but being unable to find her own place. She talks about feeling like her thoughts, lyrics, and notebooks were useless and weird before she joined Huntr/x.
Mira masks through a facade of not caring after a childhood where she was labeled “a problem child” who “got too wild.” There is other messaging that implies possible complex trauma from this childhood. Mira embraces this tough facade by outwardly challenging social norms by doing things like showing up to the Met Gala wearing a sleeping bag. Yet deep down she is seeking family and connection more than anything else.
Rumi struggles most with internalized shame and must cover up her true self (masking) due to her patterns from being half-demon. She fears that no one will love her or truly accept her due to seeing herself as a mistake, which was greatly exacerbated by the childhood trauma of Celine repeatedly telling her to cover up her patterns and to not let her faults or fears ever be seen.
The song Golden speaks to their struggles with masking and wanting to be who they were born to be. Rumi sings about wanting to break down the walls that she has used to keep people at a distance and feel like herself. Ultimately, the song Golden speaks to Rumi still falling into the trap of masking due to her wanting to put her patterns in the past and just live like this image that other people see of her. The reality is the patterns are not going anywhere. No amount of trying to be “normal enough” is ever going to change that. So many neurodivergent people have dealt with the similar struggle of trying to appear normal enough only to realize that no matter how hard they mask, “the patterns” will still appear. The harder Rumi pushes herself the more the patterns show up until she hits a breaking point. This is the cycle of masking and pushing too hard for too long and then ending up in burnout that ADHD, Autistic, and other neurodivergent people will struggle with at multiple points in their lives.
Zoey struggles with people-pleasing, a very common neurodivergent masking strategy. She is the placater of the group as she is highly empathetic and does not want to see anyone hurting.
This leads to increasing overwhelm for her when Mira is picking up on Rumi hiding something from them. Zoey wants them to be happy and getting along and blames herself. She falls into the common trap of just trying harder. She tries to fix things by changing her lyrics for the song “Takedown” over and over again, but this only leads to a growing sense that her efforts and therefore her as well are “not enough.” Rumi in turn gets increasingly defensive due to her shame and Mira’s questioning, and she lashes out at Mira. The conflict comes to a head when the demons expose Rumi’s demon patterns on stage. Rumi feels intense overwhelming shame and then has to face being exposed as her true self in front of Mira and Zoey. Due to the shame and overwhelm she does not hear that Mira’s and Zoey’s hurt is due to Rumi not letting them in and lying to them. Instead it is confirmation that she is a mistake. She gets increasingly defensive and panics. This escalates to despair and hopelessness when Mira and Zoey point their weapons at her. Rumi makes one more attempt to seek love and acceptance by talking to Celine only to realize that Celine also does not accept her for who she truly is and cannot love all of her.
Rumi is faced with the situation that so many neurodivergent people fear most of all: once we are exposed as our true selves we will be seen as unloveable. This is the core struggle underlying rejection sensitive dysphoria. Mira and Zoey then face this same core fear when the demon king Gwi-Ma speaks to each of them. For Mira, the shame message is that she does not deserve a family and never has deserved a family. For Zoey the shame message is the painfully familiar one that so many ADHD and Autistic people have internalized “You’re too much. And not enough. You’ll never belong anywhere,” Gwi-Ma then lures her in with a promise of a place to belong. Gwi-Ma also challenges Rumi with more shame messages, “You think you can fix the world? You can’t even fix yourself,” when she shows up to try to stop him.
At this point Rumi has realized the heavy lesson that covering up who she is not the answer. The core wound or conflict for Rumi, Zoey, and Mira is starting to heal through the song,”What it Sounds Like.” Rumi sings first to Mira and Zoey taking accountability for her lies, for hiding who she is, and not letting the people she loves most in. Rumi goes on to sing about how she now sees the beauty in what she previously thought was just her being broken. Her struggles and her patterns also make her who she is. Zoey joins in the song singing “Why did I cover up the colors stuck inside my head?” which is her starting to accept herself for what makes her unique rather than seeing it as weird or useless. Mira joins in singing “I should’ve let the jagged edges meet the light instead” speaking to her wanting to drop the facade. They all sing together about not staying stuck in the shame of having “listened to the demons, we let them get between us” and realizing that they are only able to beat back the demons (both literal and metaphorical) by being and embracing their real and vulnerable selves.
